MELODICMINORSCALE
COMPLETE DEVELOPMENT
ROUTINE PRACTICE& EXERCISES OFIMPROVISATION
by Nestor CrespoPractical and dynamic work methodology for the self-taught
student as well as for the teacher in class serie20y20.com.ar
BASS
9 EXERCISES
1 BACKING TRACK
FREE VERSIONOnly contains:
OF EXERCISE 7
PRINTABLE BOOK
(Ebook: Scales & Arpeggios)
(without watermark)
MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Melodic Minor Scale for Bass by Néstor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
MELODIC MINOR SCALE – FREE VERSION
Complete development of Exercise 7 of the book: Scales and Arpeggios. (Author: Néstor Crespo)
You have downloaded the FREE VERSION (PDF de 20 pages – 21 MB) which contains only:
• 9 exercises (of all 24 exercises)
• 1 backing track (of all 10 backing tracks)
If you wish you can get at a low price the Complete Ebook buying the Paid Version: www.serie20y20.com.ar
OBJECTIVES AND PURPOSES
The purpose of this book is the intensive study of the Melodic Minor Scale, which is of significant importance
in our journey with music.
Normally we focus on the study of this or any scale by memorizing only the different shapes up and down,
but this way of studying is insufficient when we want to improvise or appreciate the color or texture it
produces.
That is why we are going to devote ourselves to develop the study of the 7 shapes through exercises in a
practical and dynamic way including the corresponding fingerings and bar repetition in each case.
METHODOLOGY
Includes 24 exercises with full fingering, repetition bars and practice tracks
* Diatonic Order – Up and Down ( a – b )
* Patterns 1 y 2
* Thirds ( a – b – c – d ) (only in Paid version)
* Fourths ( a – b – c – d ) (only in Paid version)
* Sixths ( a – b – c – d ) (only in Paid version)
* Triads ( a – b – c – d ) (only in Paid version)
BACKING TRACKS
It also includes 10 Backing Tracks corresponding to the exercise in a modal playing as well as, different
progressions which will be very useful to practice and affirm this concept.
* 6 Modal backing tracks Cm/maj7 & Gm/maj7 (with strings and different musical styles) (only in Paid version)
* 2 Modal Backing Tracks (with chord progressions) (only in Paid version)
* 2 Backing Tracks with Cycle of 5th (in different musical styles) (only in Paid version)
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Thanks
To each and every one of my friends from Karlsruhe / Germany.
I humbly hope to be of use to you.
Néstor Crespo
NESTOR CRESPO (Professor - Guitarist - Composer - Arranger)
Teaching Career
Made guitar studies with professor Armando Alonso and composing with professor Claudio Schulkin in an autodidact way.
Develops a solid teaching career, both in the private sector and in important institutions from Argentina and Europe.
Founder professor (1986) of the Escuela de Música Popular de Avellaneda holding the position of associate professor of the Jazz Guitar professorship, position held today. Also works on the making of four workbooks for the professorship mentioned.
Professor of the virtual professorship Functional Harmony I & II from the UNA’s (Nacional University
of Art) Departamento de Artes Musicales y Sonoras (Damus) , position held today.
Dictated numerous workshophs about Functional Harmony and Improvisation of Popular Music in prestigious study centers such as: Hochshule für Musik Karlsruhe (Germany), Conservatorio de Palma de Mallorca and Las Aulas (Barcelona, Spain), as well as other clinics about Tango elements, in Germany and Switzerland organized by the Deutsch Akademie des Tango (Stuttgart, Germany)
Created in 2008 "Serie 20 & 20 – workbooks" which contains 20 lessons and 20 exercises about different areas of musical science. (For more information visit: www.serie20y20.com.ar)
In March of 2013 the editorial of DAMus (Department of Musical Arts) dependent of UNA (Nacional University of Art) publishes the book Funtional Harmony 1 & 2.
Career Highlights
During the 80s, takes part of different Jazz groups performing in the most prestigious jazz venues and clubs of Buenos Aires and the inner country.
In 1989 lives in Palma,Mallorca (Spain) working with european musicians among which stands out Ola Calamayer (pianist of saxophonist Dexter Gordon). Participates in the Mallorca International Jazz Festival, invited by the quintet of the prestigious trumpeter Woody Shaw.
In the early 90s creats with Juan Dargenton El Tranvía Tango with which records 9 CDs in Argentina and Europe, and performs continuously over 25 european tours averaging 80 annual concerts, playing in the most impo rtant concert halls, culturar centers, theaters, etc.
Shared the stage with Sexteto Mayor, Daniel Binelli (bandoneonist of Astor Piazzolla), bandoneonist Alfredo Marcucci, singers José Ángel Trelles, María Graña, etc.
Received important awards both in Argentina and abroad: ACE Award (Entertainment Writters Association) as Best Tango Group, Tango Future Award given by Deutsch Akademie der Tango (Stuttgart, Germany). CD Ocre Buenos Aires", receives an award for Best CD granted by the famous magazine Gränsen (Stockholm, Sweden), etc.
Develops an intense career as an arranger of tango and world music for different record labels in Germany.
Composed the music for the program Visión Siete Internacional (winner of the Martin Fierro 2009 award) which it is broadcasted since 2005 by TV Pública - Canal 7 - Argentina.
Invited by plastic artist Andrés Zerneri to compose the music of his two documentaries: 900 grados (monument to Che
Guevara) and Monumento a la Mujer Originaria".
In 2006 creats in Germany with Tomas Pérez (Puerto Rico) and Joselo González (Chile) the music group called Sur Tres, recording their first CD in which performs its musical arrangements.
Also served as arranger and musical director of the Tango singer Omar Mollo, and guitarist of the singer and bandoneonist Rubén Juárez.
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?bbb w œ w œ w œn wn
Cm/maj7
Cm�
Shapes: 1 Shapes: 2 Shapes: 3 Shapes: 4
Shapes: 5 Shapes: 6 Shapes: 7
�
1
2
4
1
1
2
4 4
1
3
4
III
�III
3
4
2
4
1
2
4
1
2
1 1
3
�
2
4
11
2
44VIII
1
�
4
1
2
4
1
3
4
1
2
4
VIII
�
1
4
1
2
4
1
2
4
3
4
1
X
1
2
4
3
44
2
�1
4
�
X
XV
1
2
4
1
2
4
3
1
1
2
4
1
3
1
2
4
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Melodic Minor Scale(Néstor Crespo)
Considerations
1. Also known as minor bachiana or minor jazz is the one that ascends and descends the same way
2. Unlike the Natural Minor Scale, has the major 6 and the major 7 and with respect to the Harmonic Minor the major 6.
3. Its application is centered on the tonic chord ( I ) in the minor mode, chord m / maj7 or m�.
4. The harmonic tensions allowed are major 9 and major 6.
5. The perfect 11 is a harmonic tension to be avoided because together with the 7M, it forms the tonal tritone (F-B)
Structure
T 3m 5 7
9 11 6
Shapes
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tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ
Shape 1
�
q = 140
Exercise: 1 a Diatonic Order
tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œn œn œ œ œ
�
Shape 2
tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œn œn œ
�
Shape 3
tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn
�
Shape 4
tbbb .. ..
œ œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ
�
Shape 5
tbbb
.. ..œ œ œ œ œ œn œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ
�
Shape 6
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.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ
�
Shape 7
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Melodic Minor Scale(Néstor Crespo)
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tbbb
.. ..œ œn œn œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ
q = 140
Diatonic Order
Shape 1
Exercise: 1 b
4
tbbb
.. ..œ œ œ œn œn œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ
Shape 2
2
tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ
Shape 3
1
tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œn œ œ œ œ œ œ œ
Shape 4
4
tbbb
.. ..œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Shape 5
1
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Melodic Minor Scale(Néstor Crespo)
".... Both Shapes 6 and 7 have no other tonic in their fingering ..."
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tbbb
.. ..œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œShape 1
q = 120
� �
�
descen.-
11
ascen.
IntervalsTHIRDS
a) C Eb D F etc...
tbbb
.. ..œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œShape 2
�
descen.-
1 1
œ œ œn œ œn œ œ œ œ œ œ œ
ascen.3 4
tbbb
.. ..œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ
Shape 3
�
descen.-
4 3
ascen.
22 1 1
1 3 4 2 2 1 1
tbbb
.. ..œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ
Shape 4
�
descen.-
tbbb
.. ..œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 5 descen.-
11
ascen.
3 2 2 1 1 4
tbbb
.. ..œ œ œ œ œ œ œ œn œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 6descen.-
ascen.
4 3 2 1 4 2 11 4 13 2 2 1 1 3 4
tbbb
.. ..œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 7descen.-
ascen.
4 3 2 1 14
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Melodic Minor Scale(Néstor Crespo)
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tbbb
.. ..œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ
Shape 1q = 120
� �
�
descen.ascen.
IntervalsTHIRDS
b) C Eb F D etc...
tbbb
.. ..œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Shape 2
�
descen.
4 2 4 1 42
œ œ œ œn œn œ œ œ œ œ œ œ
ascen.
2 4
tbbb
.. ..œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œn œ œ œ
Shape 3
�
descen.ascen.
2 3 2 1 4 14
tbbb
.. ..œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn
Shape 4
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descen.
tbbb
.. ..œ œ œ œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
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Shape 5 descen.
ascen.
tbbb
.. ..œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 6 descen.
ascen.
2 3 2 4 1 2 4 2 44
tbbb
.. ..œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 7
descen.
ascen.
1 4 3 4 2
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Melodic Minor Scale(Néstor Crespo)
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tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œShape 1
q = 120
� �
�
descen ascen.
Intervals
c) Eb C D F etc...
THIRDS
1
tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œShape 2
�
descen
42 3 2 1
œ œ œn œ œ œn œ œ œ œ œ œascen.
4 1 4 2 1
tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ œ œn œ œ
Shape 3
�
descen ascen.
2
tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ
Shape 4
�
descen
1
tbbb
.. ..œ œ œ œ œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 5descen
ascen.
1
tbbb
.. ..œ œ œ œ œ œ œ œn œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 6descen
ascen.
4 3 2 12 3 2 1 4 2 1 2 1 4
tbbb
.. ..œ œ œ œ œ œ œ œn œn œ œ œ œ œ œ œ œ œ œn œ œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 7descen
ascen.
2
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tbbb
.. ..œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ
Shape 1q = 120
� �
�
descen. ascen.
IntervalsTHIRDS
d) Eb C F D etc...
11 1
tbbb
.. ..œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œShape 2
�
descen.
41
11 2
2 3 4
œ œ œ œn œ œn œ œ œ œ œ œ
ascen.
2 4 1 2 4 1 1 2 2 4
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.. ..œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ
Shape 3
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descen.ascen.
21 1 2 3
4 1 2 4 3 1 22
tbbb
.. ..œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œn
Shape 4
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descen.
1
tbbb
.. ..œ œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
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Shape 5 descen.
ascen.
1 1 1
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.. ..œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 6descen.
ascen.
4 2 2 3 4 11 3 2 4 1 2 4 1 31 1
2 3 4 1 1 2 2 4
tbbb
.. ..œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œn œ œn œ œ œ œ œ œ œ œ œ œ œ œ œ œ
�
Shape 7descen.
ascen.
2 1 1 2 3 4 1 3 4 1 2 4 11 1
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Melodic Minor Scale(Néstor Crespo)
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Melodic Minor Scale for Bass by Néstor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
LEGAL
Crespo, Néstor Rubén
1st bilingual edition - Buenos Aires: Nestor Crespo, 2017.
EBook, DXReader
Spanish-English Edition
Digital Archive: download online
1. Music. I. Title.
ISBN 978-987-28103-4-4
Date of registration: 12/07/2020
Melodic Minor / BASS
1st edition
© Nestor Crespo, 2020
www.nestorcrespo.ar
www.serie20y20.com.ar
Date of publication: July 2020
Replication Date: Ju;y 2020The deposit established by Law 11.723
EDITED IN ARGENTINA
Graphic Design: Edgardo Vallarino
Recording Studio: Federico Palmero
The backing tracks belongs to the author of the work.
The content and originality of this document is the sole responsibility of its author.
The content and originality of this document is the sole responsibility of its author. No part of this
publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the
publisher. editor.
Your violation is punishable by laws 11,723 and 25,446.
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All the backing tracks belong to the author
of this book, done in the recording
studio of Prof. Federico Palmero
Cover Design: Edi Vallarino
www.edivallarino.com.ar
Made in Buenos Aires, Argentina on Julio 2020
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
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