SPREAD TRIADS 2 - Guitar - Nestor Crespo - FREE
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Transcript of SPREAD TRIADS 2 - Guitar - Nestor Crespo - FREE
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SPREADTRIADS 2
TRIADS - SHAPES(Major - Minor - Augmented - Diminished)
by Nestor CrespoPractical and dynamic work methodology for the self-taught
student as well as for the teacher in class serie20y20.com.ar
GUITAR
STRING SETS 6 4 2 / 5 3 2 / 5 3 1 / 4 2 1
PROGRESSIONS(2 Major Mode & 2 Minor Mode)
FREE VERSIONDoes not Contain:
104 Backing Tracks
8 Assignments
Appendix Triads: Sus2 - Sus4 - Phrygian & Lydian
Printable Book without watermark
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 2 for Guitar by Nestor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
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CONSIDERTIONS – FREE VERSION
The Free Version DOES NOT CONTAIN:
* It only contains 2 progressions (major mode) and 2 (minor mode) of the 48 and 40 progressions respectively.
* 8 Assignments (Jazz standard themes)
* 104 Backings Tracks (Essential complement for the complete study of the concepts studied)
* 6 audios corresponding to the Rhythmic Patterns for the right hand.
* Appendix Triads (sus2 - sus4 - Phrygian - Lydian)
* Printable Book (without watermark)
If you wish, you can obtain the complete Ebook by purchasing at a low cost the Paid Version at
www.serie20y20.com.ar
OBJECTIVES AND PURPOSES
The Spread triads is often used as a tool when we perform a musical arrangement, however, many
instrumentalists and composers use the triads openly, thus achieving a greater expressive weight.
The open triads are obtained by ascending or descending an octave the internal voice of a triad in closed
position, either in root position or inverted, thus achieving a tenth interval between the bass and the upper
voice.
Practicing the different exercises, progressions and works, we will achieve a conscious and dynamic
handling of the different fingerings and sonorities produced.
CONTENTS
We will use four types of open triads: Major - Minor - Diminished and Augmented, both in fundamental
position and in first and second inversion in string sets: 6 4 2 / 5 3 2 / 5 3 1 / 4 2 1
The different strings sets are organized starting from the study of the fingerings of each type of triad,
previously mentioned, in position and across the guitar neck.
We will practice with 44 progressions in the major mode and 40 in the minor mode using concepts of
functional harmony: diatonic chords, secondary dominants, substitutes and modal interchange chords.
It also includes the harmonization of the Major Scale, the Composite Minor Scale, the Circle of fifths and
the third diatonic. The 8 assignments include the jazz standard in 4/4 and ballads.
We will practice the open triads as a chord as well as six different rhythm patterns for the right hand. Also
included are the shapes of the following open triads: Sus2 - Sus4 - Lydian & Phrygian.
AUDIOS
The 104 audios included are a necessary complement for the correct study of this Ebook.
• 88 exercises (with string quartet)
• 8 Practical Works (with string quartet)
• 8 Practical Works (only with melody and double bass)
The audios with string quartet will allow us to take a real dimension of the sound amplitude produced
through the use of open triads and enjoy when practicing the different exercises and practical work.
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NESTOR CRESPO (Professor - Guitarist - Composer - Arranger)
Teaching Career Made guitar studies with professor Armando Alonso and composing with professor Claudio Schulkin in an autodidact way. Develops a solid teaching career, both in the private sector and in important institutions from Argentina and Europe. Founder professor (1986) of the Escuela de Música Popular de Avellaneda holding the position of associate professor of the Jazz Guitar professorship, position held today. Also works on the making of four workbooks for the professorship mentioned. Professor of the virtual professorship Functional Harmony I & II from the UNA’s (Nacional University of Art) Departamento de Artes Musicales y Sonoras (Damus) , position held today. Dictated numerous workshophs about Functional Harmony and Improvisation of Popular Music in prestigious study centers such as: Hochshule für Musik Karlsruhe (Germany), Conservatorio de Palma de Mallorca and Las Aulas (Barcelona, Spain), as well as other clinics about Tango elements, in Germany and Switzerland organized by the Deutsch Akademie des Tango (Stuttgart, Germany) Created in 2008 "Serie 20 & 20 – workbooks" which contains 20 lessons and 20 exercises about different areas of musical science. (For more information visit: www.serie20y20.com.ar)
In March of 2013 the editorial of DAMus (Department of Musical Arts) dependent of UNA (Nacional University of Art) publishes the book Funtional Harmony 1 & 2.
Career Highlights During the 80s, takes part of different Jazz groups performing in the most prestigious jazz venues and clubs of Buenos Aires and the inner country. In 1989 lives in Palma,Mallorca (Spain) working with european musicians among which stands out Ola Calamayer (pianist of saxophonist Dexter Gordon). Participates in the Mallorca International Jazz Festival, invited by the quintet of the prestigious trumpeter Woody Shaw. In the early 90s creats with Juan Dargenton El Tranvía Tango with which records 9 CDs in Argentina and Europe, and performs continuously over 25 european tours averaging 80 annual concerts, playing in the most impo rtant concert halls, culturar centers, theaters, etc. Shared the stage with Sexteto Mayor, Daniel Binelli (bandoneonist of Astor Piazzolla), bandoneonist Alfredo Marcucci, singers José Ángel Trelles, María Graña, etc. Received important awards both in Argentina and abroad: ACE Award (Entertainment Writters Association) as Best Tango Group, Tango Future Award given by Deutsch Akademie der Tango (Stuttgart, Germany). CD Ocre Buenos Aires", receives an award for Best CD granted by the famous magazine Gränsen (Stockholm, Sweden), etc. Develops an intense career as an arranger of tango and world music for different record labels in Germany. Composed the music for the program Visión Siete Internacional (winner of the Martin Fierro 2009 award) which it is broadcasted since 2005 by TV Pública - Canal 7 - Argentina. Invited by plastic artist Andrés Zerneri to compose the music of his two documentaries: 900 grados (monument to Che Guevara) and Monumento a la Mujer Originaria". In 2006 creats in Germany with Tomas Pérez (Puerto Rico) and Joselo González (Chile) the music group called Sur Tres, recording their first CD in which performs its musical arrangements. Also served as arranger and musical director of the Tango singer Omar Mollo, and guitarist of the singer and bandoneonist Rubén Juárez.
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Gratitude's
To my children’s, Lucía and Franco.
Humbly, I hope to be useful to you.
Néstor Crespo
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INDEX SPREAD TRIADS 2 - FREE VERSION
Right Hand Fingering Patterns (Only in Pay Version) ............................................................................................................................................ 1
Set 6 4 2 - Shapes of Spread Triads ................................................................................................................................................................................................ 2
Exercise across the neck ...................................................................................................................................................................................................................... 3
Circle of Fifths - Major Triad ................................................................................................................................................................................................ 4
Circle of Fifths - Minor Triad ................................................................................................................................................................................................ 5
Circle of Fifths - Diminished Triad ................................................................................................................................................................................................ 6
Circle of Fifths - Augmented Triad ................................................................................................................................................................................................ 7
Harmonize the Major & Compound Minor Scale (Root Position) ................................................................................................... 8
Harmonize the Major & Compound Minor Scale (First Inversion) ................................................................................................... 9
Harmonize the Major & Compound Minor Scale (Second Inversion) ................................................................................................... 10
Circle of Thirds (Major & Minor Moder) ............................................................................................................................................................................................... 11
Exercise 1 (Major Mode) ...................................................................................................................................................................................................................... 12
Exercise 2 (Only in Pay Version).......................................................................................................................................................................................................................... 13
Exercise 3 (Only in Pay Version)............................................................................................................................................................................................................................ 14
Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 15
Exercise 5 (Only in Pay Version) ...................................................................................................................................................................................................................... 16
Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 17
Exercise 7 (Minor Mode) ...................................................................................................................................................................................................................... 18
Exercise 8 (Only in Pay Version)........................................................................................................................................................................................................................ 19
Exercise 9 (Only in Pay Version) ...................................................................................................................................................................................................................... 20
Exercise 10 (Only in Pay Version) ........................................................................................................................................................................................................................ 21
Exercise 11 (Only in Pay Version) .......................................................................................................................................................................................................................... 22
Cinema Paradise (Melodie) (Only in Pay Version) ............................................................................................................................................................................ 23
Cinema Paradise (Exercise) (Only in Pay Version) ............................................................................................................................................................................... 23
When you wish upon the star (Melodie) ......................................................................................................................................................................... 24
When you wish upon the star (Exercise) ......................................................................................................................................................................... 25
Set 5 3 2 - Shapes of Spread Triads ................................................................................................................................................................................................ 26
Exercise across the neck ...................................................................................................................................................................................................................... 27
Circle of Fifths - Major Triad (Only in Pay Version)............................................................................................................................................... 28
Circle of Fifths - Minor Triad (Only in Pay Version) ................................................................................................................................................. 29
Circle of Fifths - Diminished Triad (Only in Pay Version).................................................................................................................................................... 30
Circle of Fifths - Augmented Triad (Only in Pay Version)...................................................................................................................................................... 31
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version).............................................................. 32
Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)............................................................. 33
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)......................................................... 34
Circle of Thirds (Major & Minor Moder) (Only in Pay Version) .............................................................................................................................................. 35
Exercise 1 (Major Mode) (Only in Pay Version) ....................................................................................................................................................................... 36
Exercise 2 (Only in Pay Version) .............................................................................................................................................................................................................................. 37
Exercise 3 (Only in Pay Version) ........................................................................................................................................................................................................................... 38
Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 39
Exercise 5 (Only in Pay Version) ...................................................................................................................................................................................................................... 40
Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 41
Exercise 7 (Minor Mode) (Only in Pay Version).......................................................................................................................................................................... 42
Exercise 8 (Only in Pay Version) ......................................................................................................................................................................................................................... 43
Exercise 9 (Only in Pay Version) ...................................................................................................................................................................................................................... 44
Exercise 10 (Only in Pay Version) ........................................................................................................................................................................................................................ 45
Exercise 11 (Only in Pay Version) ......................................................................................................................................................................................................................... 46
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Skylark (Melodie) (Only in Pay Version) ............................................................................................................................................................................................. 47
Skylark (Exercise) (Only in Pay Version) ............................................................................................................................................................................................. 48
Always and Forever (Melodie) (Only in Pay Version) ......................................................................................................................................................................... 49
Always and Forever (Exercise) (Only in Pay Version) ......................................................................................................................................................................... 50
Set 5 3 1 - Shapes of Spread Triads ................................................................................................................................................................................................ 51
Exercise across the neck ...................................................................................................................................................................................................................... 52
Circle of Fifths - Major Triad (Only in Pay Version)................................................................................................................................................. 53
Circle of Fifths - Minor Triad (Only in Pay Version)...................................................................................................................................................... 54
Circle of Fifths - Diminished Triad (Only in Pay Version)...................................................................................................................................................... 55
Circle of Fifths - Augmented Triad (Only in Pay Version)........................................................................................................................................................ 56
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)....................................................... 57
Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)......................................................... 58
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)........................................................ 59
Circle of Thirds (Major & Minor Moder) (Only in Pay Version)................................................................................................................................................... 60
Exercise 1 (Major Mode) (Only in Pay Version) ................................................................................................................................................................ 61
Exercise 2 (Only in Pay Version) ........................................................................................................................................................................................................................... 62
Exercise 3 (Only in Pay Version) ........................................................................................................................................................................................................................... 63
Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 64
Exercise 5 (Only in Pay Version) ...................................................................................................................................................................................................................... 65
Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 66
Exercise 7 (Minor Mode) ...................................................................................................................................................................................................................... 67
Exercise 8 (Only in Pay Version) .......................................................................................................................................................................................................................... 68
Exercise 9 (Only in Pay Version) ...................................................................................................................................................................................................................... 69
Exercise 10 (Only in Pay Version) ........................................................................................................................................................................................................................ 70
Exercise 11 (Only in Pay Version) .......................................................................................................................................................................................................................... 71
Close to you (Melodie) (Only in Pay Version) ................................................................................................................................................................................................. 72
Close to you (Exercise) (Only in Pay Version) .................................................................................................................................................................................................. 73
You dont know what love is (Melodie) (Only in Pay Version) .................................................................................................................................................... 74
You dont know what love is (Exercise) (Only in Pay Version) ................................................................................................................................................... 75
Set 4 2 1 - Shapes of Spread Triads ................................................................................................................................................................................................ 76
Exercise across the neck ...................................................................................................................................................................................................................... 77
Circle of Fifths - Major Triad (Only in Pay Version) .............................................................................................................................................. 78
Circle of Fifths - Minor Triad (Only in Pay Version)....................................................................................................................................................... 79
Circle of Fifths - Diminished Triad (Only in Pay Version)..................................................................................................................................................... 80
Circle of Fifths - Augmented Triad ................................................................................................................................................................................................ 81
Harmonize the Major & Compound Minor Scale (Root Position) (Only in Pay Version)....................................................... 82
Harmonize the Major & Compound Minor Scale (First Inversion) (Only in Pay Version)......................................................... 83
Harmonize the Major & Compound Minor Scale (Second Inversion) (Only in Pay Version)......................................................... 84
Circle of Thirds (Major & Minor Moder) (Only in Pay Version).................................................................................................................................................... 85
Exercise 1 (Major Mode) (Only in Pay Version) ......................................................................................................................................................................... 86
Exercise 2 (Only in Pay Version) ........................................................................................................................................................................................................................... 87
Exercise 3 (Only in Pay Version) ............................................................................................................................................................................................................................ 88
Exercise 4 (Only in Pay Version) ...................................................................................................................................................................................................................... 89
Exercise 5 (Only in Pay Version) ...................................................................................................................................................................................................................... 90
Exercise 6 (Only in Pay Version) ........................................................................................................................................................................................................................ 91
Exercise 7 (Minor Mode) (Only in Pay Version) ...................................................................................................................................................................... 92
Exercise 8 (Only in Pay Version) .......................................................................................................................................................................................................................... 93
Exercise 9 (Only in Pay Version) ...................................................................................................................................................................................................................... 94
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Exercise 10 (Only in Pay Version) ........................................................................................................................................................................................................................ 95
Exercise 11 (Only in Pay Version) .......................................................................................................................................................................................................................... 96
Here there and everywhere (Melodie) (Only in Pay Version)............................................................................................................................. 97
Here there and everywhere (Exercise) (Only in Pay Version)............................................................................................................................. 98
Smoke gets in your eyes (Melodie) (Only in Pay Version) ................................ ................................................................................................................. 99
Smoke gets in your eyes (Exercise) (Only in Pay Version) ................................................................................................................................................... 100
Appendix
Shapes of Spread Triads (Sus2) (Only in Pay Version) ................................................................................................................................................... 101
Shapes of Spread Triads (Sus4) (Only in Pay Version) ................................................................................................................................................... 102
Shapes of Spread Triads (Phrygian) (Only in Pay Version) ................................................................................................................................................... 103
Shapes of Spread Triads (Lydian) (Only in Pay Version) ................................................................................................................................................... 104
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V b c ..˙ ˙‰ œ œ œ ‰ œ œ œF
Pattern 1
Audio: 1
V b c ...œ .œ œœ>
œ œ œ>
œ œ œ œF
Pattern 2
Audio: 2
V b c ...œ Jœ ˙..œœ
jœœ ˙̇F
Pattern 3
Audio: 3
V b c ..˙ ˙‰ ..œœ ˙̇F
Pattern 4
Audio: 4
V b 43 ...˙‰ jœ œ œ œF
Pattern 5
Audio: 5
V b 43 ..˙ œ‰ jœœ ˙̇
Audio: 6
Pattern 6
F
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Right Hand Fingering Patterns(Néstor Crespo)
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& wœœ#
�
1 1
V
Root Position
Ax x x
& wœœ#
4
1
�VII
X
2� 1 1
XVII
1rst Inversion 2nd Inversion Root Position
A/C#
3�
&wœœ#
A/E
& wœœ#
A
& wœœ
21
�V
x x xAm
& wœœ
4
1
VII �
Am/C
&wœœ
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3
X
Am/E
& wœœ
2
1
�XVII
Am
& wœœb
1
�
1
V
x x xA°
& wœœb
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4
VII
1
A°/C
&wœœb
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2�X
A°/Eb
& wœœb
1
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XVII
A°
& wœœ##
2
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1
V
x x xA+
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VII
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A+/C#
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4
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XVII
A+
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Shapes - Set 6 4 2(Néstor Crespo)
MAJOR
M INOR
D IM IN ISHED
AUGMENTED
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& c ..www
q = 1201) A www
A/C# wwwA/E www
A/C# wwwIA
& c ..| |2) A A/C#q = 96
| |A/EA/C#
|HA
& c ..|q = 1201) Am |Am/C |Am/E |Am/C |H Am
& c ..| |2) Am Am/Cq = 96
| |Am/E Am/C |H Am
& c ..|q = 1201) A° |A°/C |A°/Eb |A°/C |H A°
& c ..| |2) A° A°/Cq = 96
| |A°/Eb A°/C |H A°
& c ..|q = 1201) A+ |A+/C# |A+/E# |A+/C# |H A+
& c ..| |2) A+ A+/C#q = 96
| |A+/E# A+/C# |H A+
Exercise across the neck
Major Triad
(Néstor Crespo)
Set 6 4 2
Minor Triad
Diminished Triad
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Augmented Triad
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& c .. ‰ œœœ‰œœœ
˙ ˙
C/Gq = 120
Pattern 1
’ ’ ’ ’F/A
simile - - - -
’ ’ ’ ’Bb
’ ’ ’ ’Eb/Bb
& ’ ’ ’ ’Ab
’ ’ ’ ’Db/Ab
’ ’ ’ ’Gb/Bb
’ ’ ’ ’B/F#
& ..’ ’ ’ ’E/G#
’ ’ ’ ’A
’ ’ ’ ’D/A
’ ’ ’ ’G
& c ....œœ
jœœ
˙˙
.œJœ ˙
C/Eq = 120
Pattern 3
’ ’ ’ ’F
simile - - - -
’ ’ ’ ’Bb/D
’ ’ ’ ’Eb
& ’ ’ ’ ’Ab/Eb
’ ’ ’ ’Db
’ ’ ’ ’Gb/Db
’ ’ ’ ’B/D#
& ..’ ’ ’ ’E
’ ’ ’ ’A/E
’ ’ ’ ’D
’ ’ ’ ’G/D
Circle of Fifths
Major Triad
(Néstor Crespo)
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I al VII
VII al XIIMajor Triad
Set 6 4 2
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& c ..œ œb
œœ œ
œœ œ.œ .œ œ
Cm/Gq = 120
Pattern 2
’ ’ ’ ’Fm/Ab
simile - - - -
’ ’ ’ ’Bbm
’ ’ ’ ’Ebm/Bb
& ’ ’ ’ ’Abm
’ ’ ’ ’Dbm/Ab
’ ’ ’ ’Gbm/Bbb
’ ’ ’ ’Bm
& ..’ ’ ’ ’Em/B
’ ’ ’ ’Am
’ ’ ’ ’Dm/A
’ ’ ’ ’Gm/Bb
& c .. ‰ ..œœ ˙̇˙b ˙Cm/Ebq = 120
Pattern 4
’ ’ ’ ’Fm/C
simile - - - -
’ ’ ’ ’Bbm/Db
’ ’ ’ ’Ebm
& ’ ’ ’ ’Abm/Eb
’ ’ ’ ’Dbm
’ ’ ’ ’Gbm/Db
’ ’ ’ ’Bm/D
& ..’ ’ ’ ’Em
’ ’ ’ ’Am/E
’ ’ ’ ’Dm
’ ’ ’ ’Gm/D
Circle of Fifths
Minor Triad
(Néstor Crespo)
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I al VII
VII al XIIMinor Triad
Set 6 4 2
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& 43 .. ‰ jœb œ œ œ.˙bC°/Gb
q = 120
Pattern 5
’ ’ ’F°/Ab
simile - - - -
’ ’ ’Bb°
’ ’ ’Eb°/Bbb
& ’ ’ ’Ab°
’ ’ ’Db°/Abb
’ ’ ’Gb°/Bbb
’ ’ ’B°
& ..’ ’ ’E°/Bb
’ ’ ’A°
’ ’ ’D°/Ab
’ ’ ’G°/Bb
& 43 .. ‰jœœb ˙̇˙b œ
q = 120
Pattern 6
C°/Eb
’ ’ ’F°/Cb
simile - - - -
’ ’ ’Bb°/Db
’ ’ ’Eb°
& ’ ’ ’Ab°/Ebb
’ ’ ’Db°
’ ’ ’Gb°/Dbb
’ ’ ’B°/D
& ..’ ’ ’E°
’ ’ ’A°/Eb
’ ’ ’D°
’ ’ ’G°/Db
Circle of Fifths
Diminished Triad
(Néstor Crespo)
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I al VII
VII al XIIDiminished Triad
Set 6 4 2
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& c ..œ# œ
œœ œ
œœ œ.œ .œ œ
C+/G#q = 120
Pattern 2
’ ’ ’ ’F+/A
simile - - - -
’ ’ ’ ’Bb+
’ ’ ’ ’Eb+/B
& ’ ’ ’ ’Ab+
’ ’ ’ ’Db+/A
’ ’ ’ ’Gb+/Bb
’ ’ ’ ’B+
& ..’ ’ ’ ’E+/G#
’ ’ ’ ’A+
’ ’ ’ ’D+/A#
’ ’ ’ ’G+/B
& c .. ‰ ..œœ# ˙̇˙ ˙C+
q = 120
Pattern 4
’ ’ ’ ’F+/C#
simile - - - -
’ ’ ’ ’Bb+/D
’ ’ ’ ’Eb+
& ’ ’ ’ ’Ab+/E
’ ’ ’ ’Db+
’ ’ ’ ’Gb+/D
’ ’ ’ ’B+/D#
& ..’ ’ ’ ’E+
’ ’ ’ ’A+/C#
’ ’ ’ ’D+
’ ’ ’ ’G+/D#
Circle of Fifths
Augmented Triad
(Néstor Crespo)
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I al VII
VII al XIIAugmented Triad
Set 6 4 2
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& # w w w w w w w# wœœ œœ œœ
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XIII XIV XV XVI XVII
2
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(Nestor Crespo)
Set 6 4 2
Em F#°
Key of G Major Root Position
Key of A Minor Root Position
Fm F#°
Harmonizing the Minor Composed Scale
G Am Bm C D
Am B° C+
G
Dm D E G G#° Am
Harmonizing the Major Scale
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& b w w w w w w w wœœœœ
œœ
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F/A Gm/Bb Am/C
E°/G
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XIII
XIV
XV
1
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(Nestor Crespo)
Set 6 4 2
Dm/F
Key of F Major First Inversion
Key of F Minor First Inversion
Harmonizing the Minor Composed Scale
F/A Gm/Bb Am/C
Db/F D°/F Fm/Ab G°/Bb Ab+/C Bbm/Db
Eb/G E°/G Fm/Ab
F/ABb/D C/E E°/G
Bb/D C/E
Harmonizing the Major Scale
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& w w w w ww w w
œœ œœ œœœœ œœ œœ
œœ œœ
�2
C/G Dm/A Em/B
B°/F
F/C
G/D Am/C C/G
�1
3
III �1
3
V �
32
VI
�
32
VIII �1
3
X �
21XII �
13
XIII
I
3
& bb b w w w w w ww wn w wn w
œœ œœ œœnœœ œœn œœn œœ œœ
œœ œœ œœ
Cm/G D°/Ab Eb+/B Fm/C F/C G/D
Ab/Eb A°/Eb Bb/F B°/F Cm/G
�1�1
2
I
III
�
2
4
�
IV
3
1VI2
�
32
�
3
VI VIII
�
23
�12
�2
3
�12
�
3
1IX X XI XII XIII
3
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
(Nestor Crespo)
Set 6 4 2
B°/F
Key of C Major Second Inversion
Key of C Minor Second Inversion
A°/Eb Bb/F
Harmonizing the Minor Composed Scale
C/G Dm/A Em/B F/C
Cm/G D°/Ab Eb+/B Fm/C F/C B°/F Cm/G
G/D Am/C C/G
G /D Ab/Eb
Harmonizing the Major Scale
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& c .. ..œœjœœ
˙˙
.œ Jœ ˙
q = 96 C/G Am
Pattern 3
1
’ ’ ’ ’F/A Dm/A
simile - - - -
& ..’ ’ ’ ’B° G/B
’ ’ ’ ’Em/B C
|C
&### c .. ‰
.
.œœ ˙˙˙ ˙
A/Eq = 96
Pattern 4
F#m/C#2
’ ’ ’ ’D Bm/D
simile - - - -
&### ..’ ’ ’ ’
G#°/B E/B
’ ’ ’ ’C#m/G# A
|A
& bbb 43 .. ‰ jœ œ
œ œ
.˙
q = 96
Pattern 5
3 Cm/G
’ ’ ’A°
simile - - - -
’ ’ ’Fm/Ab
’ ’ ’D°/Ab
& bbb ..’ ’ ’
B°
’ ’ ’G/D
’ ’ ’Eb+
’ ’ ’Cm/Eb
.|Cm/Eb
& 43 .. ‰jœœ
˙˙
˙ œ
q = 96
Pattern 6
4
Am/E
’ ’ ’F#°/C
simile - - - -
’ ’ ’Dm
’ ’ ’B°
& ..’ ’ ’G#°/B
’ ’ ’E/G#
’ ’ ’C+/G#
’ ’ ’Am .|
Am
Circle of Diatonic Thirds (Néstor Crespo)
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
Major ModeSet 6 4 2
Minor Mode Melodic Minor
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& wwwwCmaj7
œœœ œœœœœœ
T 3 5
Root Position 1rst Inversipn 2nd InversionC
C
Soundgenerated:
& wwwwb3C7
Triads with the fundamental in:
œœœb œœœbœœœb
3 5 b7
Root Position 1rst Inversipn 2nd Inversion
E°
C7
Soundgenerated:
& wwwwbb7C7 œœœ∫bb ( œœœb )b œœœbb∫
œœœb∫bb7 b9 3
Bb°
C7 (b9)
& wwwwbb7C7 œœœ#b œœœb#
œœœb#Bb+b7 9 #11
C7 (9 / #11)
Considerations - Theory(Néstor Crespo)
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
All the exercises and assignments included in this ebook are organized according the study of functional
With this last work we will also have the possibility of further expanding the search for other sonorities,
harmony.
So I recommend for a perfect understanding of each of the contents, acquire the ebooks of my authorship:
Functional Harmony 1 and 2 as well as, the Superposition ebook of Triads 1 by Armando Alonso.
using each of the triad superpositions explained by the author in a practical and dynamic way.
Below a brief explanation of the use of the triads used in the exercises and assignments.
In the cases of the major chords with seventh major, minor with seventh minor, semi-diminished and
diminished, we will apply the first triad of each chord species mentioned above.
For example:
In the case of the chords with dominant structure we will use three possibilities according to the tonal
function that they represent during the progression or song.
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& c ..‰ œ œ œ ‰ œ œ œ˙ ˙C/Gq = 108
Pattern 1
1)
’ ’ ’ ’F/A
’ ’ ’ ’G
’’’’C/G wwwH
C/G
& c ..’ ’ ’ ’C2)
’ ’ ’ ’F/C
’ ’ ’ ’G/B
’’’’C wwwH
C
& c ..’ ’ ’ ’C/E3)
’ ’ ’ ’F
’ ’ ’ ’G/D
’’’’C/E wwwH
C/E
& ### # c ..œ œ
œœ œ
œœ œ.œ .œ œ
E/G#q = 108
Pattern 2
1)
’ ’ ’’B/F#
’’’’A
’’’’E/G#
wwwHE/G#
& ### # c ..’’’’E/B2)
’ ’ ’ ’B
’’’’A/C#
’’’’E/B wwwH
E/B
& ### # c ..’’’’E3)
’ ’ ’ ’B/D#
’’’’A/E
’’’’E wwwH
E
EXERCISE 1
Progression I / IV / V / I
(Néstor Crespo)
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
Progression I / V / IV / I
Set 6 4 2 Major Mode
Diatonic Chords
Diatonic Chords
Audio 1a
Audio 1b
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& bbb c ..‰ œ œ œ ‰ œ œ œ˙ ˙
Cm/Gq = 108
Pattern 1
1)
’ ’ ’ ’Fm/Ab
’’ ’’F°/Ab
G7(b9)
’’’’Cm/G wwwH
Cm/G
& bbb c ..’’’’Cm2)
’ ’ ’ ’Fm/C
’ ’ ’ ’F°/Cb
’’’’Cm wwwH
Cm
& bbb c ..’’’’Cm/Eb3)
’ ’ ’ ’Fm
’ ’ ’ ’F°
’’’’Cm/Eb wwwH
Cm/Eb
& bbb c ..œ œ
œœ œ
œœ œ.œ .œ œ
Cm/Gq = 108
Pattern 2
1)
’ ’ ’ ’G
’’’’Fm/Ab
’’’’Cm/G wwwH
Cm/G
& bbb c ..’’’’Cm2)
’ ’ ’ ’G/B
’ ’ ’ ’Fm/C
’’’’Cm wwwH
Cm
& bbb c ..’’’’Cm/Eb3)
’ ’ ’ ’G/D
’ ’ ’ ’Fm
’’’’Cm/Eb wwwH
Cm/Eb
EXERCISE 7
Progression Im / IVm / Valt / Im
(Néstor Crespo)
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Progression Im / V / IVm / Im
Set 6 4 2 Minor Mode
Diatonic Chords
Diatonic Chords
Audio 7b
Audio 7a
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& c œ œ œ œC�
q = 82
A7A1
œ# œ ˙Dm7 F�
œ œ œ œG7
œ# œ ˙C°7 C�
& œ œ œ œEm7 Eb°7
œ œ œ œDm7 G7
˙ ˙F� G7
wEm7 Eb7 Dm7 Db7
& œ œ œ œEø A7A2
œ# œ ˙Dm7 Em7
œ œ œ œG7F�
œ# œ ˙F#ø Fm7
& œ œ œ œEm7 Eb°7
œ œ œ œDm7 G7G7sus4
˙ ˙Dm7 G7
wC� Eb7
& ˙ ˙DøB Bb7
wC� Eb7
Œ œ œ œDm7 G7
œ# œ .˙C°7 C� E7
& Œ œ œ# œAm
œ# œ œ ‰ œ œ œD7 wFm Bb7 w
G7
& œ œ œ œC� A7A3
œ# œ ˙Dm7 F�
œ œ œ œG7
œ# œ ˙C°7 C�
& œ œ œ œEm7 Eb°7
œ œ œ œDm7 G7
˙ ˙F� G7
wAb� Bb� w
C�
WHEN YOU WISH UPON A STAR(Nestor Crespo)
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
Ned Washington
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-
& c | |C/G
q = 82
C#°/GA1
A7
| |Dm/A F/C
| |G/D B°/D
G7
| |C°/Eb C/E
& | |Em Eb°
| |Dm B°/D
G7
| |F/C G/B Û Û Û ÛEm/B G°/Bb Dm/A Cb+
Eb7 Db7(9/#11)
& | |E°/Bb G°/Bb
A2
A7(b9)Eø
| |Dm/A Em/B
| |F/C G/D
| |F#°/C Fm/C
C°7
& | Û ÛEm/B F#°/C A°/Eb
B7(b9)F#ø
| Û ÛDm Gsus4/D B°/D
G7
| |Dm B°
G7
| Û ÛCsus2/G C/G G°/Bb
Eb7
& | |D°/Ab
BAb+/C
Bb7(9/#11)
| |C Db+
Eb7(9/#11)
| |Dm B°/D
G7
| Û ÛC°/Eb C/E D°
E7(b9)
& | |Am/C Am
| |F#°/A F#°/C
D7
| |Fm/C Ab+/C
Bb7(9/#11)
| |B° G
G7
& | |C/G C#°/G
A7
A3
| |Dm/A F/C
| |G/D B°/D
G7
| |C°/Eb C/E
& | |Em Eb°
| |Dm B°/D
G7
| |F/C B°
G7
| |Ab/C Bb
|C/G
WHEN YOU WISH UPON A STAR(Nestor Crespo)
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
Ned Washington
Audio 2Set 6 4 2
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 2 for Guitar by Nestor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
-
& wœœ#
�
1
4
V
Root Position
Dx x x
& wœœ#
�
3
4
VII
XV � 4
XVII
1rst Inversion 2nd Inversion Root Position
D/F#
1
�
2
1D/A D
&wœœ# & w
œœ#
& wœœ
1
4�V
x x xDm
& wœœ
�
4
VII
2
Dm/F
&wœœ
�
2
1
XV
Dm/A
& wœœ
�
4
1
XVII
Dm
& wœœb
4�
1
V
x x xD°
& wœœb
�
2VII
4
D°/F
&wb œœ
1
2
�XV
D°/Ab
& wbœœ
4�
1
XVII
D°
& wœœ##
1
�
4
V
x x xD+
& wœœ##
2
�VII
4
D+/F#
&wœœ##
1
2
�XV
D+/A#
& wœœ##
4
�
1
XVII
D+
[email protected] / www.nestorcrespo.com.ar / www.serie20y20.com.ar
Shapes - Set 5 3 2(Néstor Crespo)
MAJOR
M INOR
D IM IN ISHED
AUGMENTED
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& c ..www#q = 1201) A/C# www#
A/E www#A www#
A/E
www#IA/C#
& c ..| |2) A/C# A/Eq = 96
| |AA/E
|HA/C#
& c ..|q = 1201) Am/C |Am/E |Am |Am/E |H Am/C
& c ..| |2) Am/C Am/Eq = 96
| |Am Am/E |H Am/C
& c ..|q = 1201) A°/C |A°/Eb |A° |A°/Eb |HA°/C
& c ..| |2) A°/C A°/Ebq = 96
| |A° A°/Eb |HA°/C
& c ..|q = 1201) A+/C# |A+/E# |A+ |A+/E# |H
A+/C#
& c ..| |2) A+/C# A+/E#q = 96
| |A+ A+/E# |HA+/C#
Exercise Across the Neck
Major Triad
(Néstor Crespo)
Set 5 3 2
Minor Triad
Diminished Triad
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Augmented Triad
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 2 for Guitar by Nestor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
-
& wœœ#
�
1 1
V
Root Position
Dx x x
& wœœ#
4
1
�VII
X
2� 1 1
XVII
1rst Inversion 2nd Inversion Root Position
D/F#
3
�
D/A D
&wœœ# & w
œœ#
& wœœ
21
�V
x x xDm
& wœœ
4
1
VII �
Dm/F
&wœœ
�1
3
X
Dm/A
& wœœ
21
�XVII
Dm
& wœœb
1
�
1
V
x x xD°
& wœœb
�
4
VII
1
D°/F
&wœœb
1
2�X
D°/Ab
& wœœb
1
�
1
XVII
D°
& wœœ##
2
�
1
V
x x xD+
& wœœ##
�
4
VII
1
D+/F#
&wœœ##
4
2
�X
D+/A#
& wœœ##
2
�
1
XVII
D+
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Shapes - Set 5 3 1(Néstor Crespo)
MAJOR
M INOR
D IM IN ISHED
AUGMENTED
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& c ..www#
q = 1201)
D www#D/F# www#
D/A www#D/F# www
#ID
& c ..| |2) D D/F#q = 96
| |D/A D/F# |H D
& c ..|q = 1201) Dm |Dm/F |Dm/A |Dm/F |HDm
& c ..| |2) Dm Dm/Fq = 96
| |Dm/A Dm/F |H Dm
& c ..|q = 1201) D° |D°/F |D°/Ab |D°/F |H D°
& c ..| |2) D° D°/Fq = 96
| |D°/Ab D°/F |H D°
& c ..|q = 1201) D+ |D+/F# |D+/A# |D+/F# |H D+
& c ..| |2) D+ D+/F#q = 96
| |D+/A# D+/F# |H D+
Exercise Across the Neck
Major Triad
(Néstor Crespo)
Set 5 3 1
Minor Triad
Diminished Triad
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Augmented Triad
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 2 for Guitar by Nestor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
-
& wœœ
�
1
4
III
Root Position
Fx x x
& wœœ
�
2
4
VI
XV � 4
XV
1rst Inversion 2nd Inversion Root Position
F/A
1
�
1
1
F/C F
&wœœ & w
œœ
& wœœb
1
4
�III
x x xFm
& wœœb
�
3
VI 1
Fm/Ab
&wœœb
�
21
XIII
Fm/C
& wœœb
�
4
1
XV
Fm
& wœœbb
4
�
1
III
x x xF°
& wœœbb
�1VI
2
F°/Ab
&wœœbb
11
�XIII
F°/Cb
& wœœb b
4�
1
XV
F°
& wœœ#
1
�
4
III
x x xF+
& wœœ#
2
�VI
4
F+/A
&wœœ#
1
2
�XIII
F+/C#
& wœœ#
4
�
1XV
F+
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Shapes - Set 4 2 1(Néstor Crespo)
MAJOR
M INOR
D IM IN ISHED
AUGMENTED
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& c ..www
q = 1201)
F wwwF/A www
F/C wwwF/A wwwI
F
& c ..| |2) F F/Aq = 96
| |F/CF/A
|HF
& c ..|q = 1201) Fm |Fm/Ab |Fm/C |Fm/Ab |H Fm
& c ..| |2) Fm Fm/Abq = 96
| |Fm/C Fm/Ab |H Fm
& c ..|q = 1201) F° |F°/Ab |F°/Cb |F°/Ab |H F°
& c ..| |2) F° F°/Abq = 96
| |F°/Cb F°/Ab |H F°
& c ..|q = 1201) F+ |F+/A |F+/C# |F+/A |H F+
& c ..| |2) F+ F+/Aq = 96
| |F+/C# F+/A |H F+
Exercise Across the Neck
Major Triad
(Néstor Crespo)
Set 4 2 1
Minor Triad
Diminished Triad
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Augmented Triad
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MUSICIAN FRIEND
You’ve just downloaded the Free Version of this Ebook:
Spread Triadas 2 for Guitar by Nestor Crespo
If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.
As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.
From Buenos Aires, Argentina, we send you the best wishes for your musical career.
Néstor Crespo Serie20&20 Director
www.serie20y20.com.ar
-
LEGAL
Crespo, Néstor Rubén
Spread Triads 2 / GUITAR
1st bilingual edition - Buenos Aires: Nestor Crespo, 2019.
EBook, DXReader
Spanish-English Edition
Digital Archive: download online
1. Music. I. Title.
ISBN 978-987-28103-4-4
Date of registration: 12/11/2019
Spread Triads 2 / GUITAR
1st edition
© Nestor Crespo, 2019
www.nestorcrespo.ar
www.serie20y20.com.ar
Date of publication: November 2019
Replication Date: November 2019
The deposit established by Law 11.723
EDITED IN ARGENTINA
Graphic Design: Edgardo Vallarino
Recording Studio: Federico Palmero
The backing tracks belongs to the author of the work.
The content and originality of this document is the sole responsibility of its author.
The content and originality of this document is the sole responsibility of its author. No part of this
publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the
publisher. editor.
Your violation is punishable by laws 11,723 and 25,446.
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-
Audio belongs to the author of the work done by and in the studies of Prof. Federico Palmero
Cover Design: Edi Vallarino
www.edivallarino.com.ar
Made in Buenos Aires, Argentina August 2019
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01. Spread Triads 2- FREE02. Bio - Nestor Crespo - OK03. Greetings - OK04. Considerations - Free Version05. Index - FREE06. Considerations - Theory - FREE07. Right Hand Fingering Patterns08. Legal - OK09. Contratapa - OK 10. Set 6 4 2 - MA01. Shapes 6 4 202. Across the Neck 6 4 202a. Circle of Fifths - 6 4 2 - Major02b. Circle of Fifths - 6 4 2 - Minor02c. Circle of Fifths - 6 4 2 - Diminished02d. Circle of Fifths - 6 4 2 - Augmented03a. 642 - Root Position03b. 642 - 1rst Inversion03c. 642 - 2nd Inversion04. 642 - Circle of Diatonic Thirds Exercise 01Exercise 07
11. Set 5 3 2 - MA01a. Shapes 5 3 201b. Exercise Across the Neck 5 3 2