Bibliografía Consultada

[1] Aguilera Ramírez Antonio, Módulos Procesadores de Eventos, MIDI en Tiempo-

Real. Concurrencias, Independientes e Intercomunicables, Tesis grado Maestría,

1989.

[2] Aguilera Ramírez Antonio, Reconocimiento de Acordes Musicales en Tiempo-Real,

The 5th Iberoamerican Symposium on Pattern Recognition, Universidade Técnica de

Lisboa, Lisbon (Portugal), 2000.

[3] Borland, Object Pascal Language Guide, Borland Software Corporation, U.S.A.,

2001.

[4] Caballero Cristián, Introducción a la Música, México: Edamex, 1987.

[5] Cantù Marco, Essential Pascal, 2nd Edition, Marzo 2003.

[6] Cantù Marco, Essential Delphi a Friendly Introductory Guide to Borland Delphi,

Abril 2002.

[7] Davis Gary, Jones Ralph, Sound Reinforcement Handbook, Hall Leonard Pub.Corp.,

Milwaukee, 1987.

115

[8] De Furia Steve and Scacciaferro Joe, The MIDI Resourse Book, USA: Ferro

Technologies, 1988.

[9] Devarahi, The Vomplete Guide to Synthesizers, New Jersey: Prentice-Hall, 1982.

[10] Dodge Charles, Computer Music Synthesis, Composition, and Performance, New

York: A division of Micmillan, Inc, 1985.

[11] Fleming William, Arte, Música e Ideas, México: McGrall-Hill, 1994.

[12] George Grove, Grove’s Dictionary of Music and Musicians, New York: Macmillan

and Co., 1948.

[13] Le Pocher, H., Leung, V.C.M., and D. W. Gillies, Real-time multimedia scheduling

policies for end-to-end delay jitter and loss guarantees across ATM satellite systems,

IEEE Transactions Selected Areas in Communications, vol. 17, no. 2, Feb. 1999.

[14] Godwin Joscelyn, Music, Mysticism and Magic, Arkana, New York, 1986.

[15] Hamel & Hurlimann, Enciclopedia de la Música, Madrid, 1984.

[16] Hammmel Garland, Vaughn Kahn, Math and Music. Harmonious Connections, Dale

Seymour Publications, 1995.

116

[17] Mankiewicz Richard, Historia de las Matemáticas, Pidós, 2000.

[18] McClain Ernest G. The Myth of Invariance, Inc. York Beach, Maine.

[19] Molina González Gerardo, AMO: Acompañamiento Midi Orquestal, Tesis grado

licenciatura, 1993.

[20] Molina Radamés, La idea del cosmos. Cosmos y Música en la Antigüedad, Paídos,

España, 2000.

[21] Moncada García Francisco, Teoría de la Música, México: Ediciones Framong, 1995.

[22] Olson F. Harry, Music, Physics and Engineering, New York: Dover Publications,

INC, 1967.

[23] Pressman S. Roger, Ingeniería del Software un Enfoque Práctico, McGrawHill,

España, 2002.

[24] Reinthaler, J., Mathematics and Music. Some intersections, Mu Alpha Theta, 1990.

[25] Reyes Pablo, Creación de Componentes en Delphi, Danysoft Internacional, Mayo

2001.

[26] Roads Curtis and Strawn John, Fundations of Computer Music, USA: MIT, 1987.

117

118

[27] Rothstein, E., Emblems of mind. The inner life of music and mathematics, Avon

Books, New York, 1996.

[28] Solache Orozco Rosa María, BEYER Método Preparatorio para Piano, México,

D.F.:Editapsol, 2000.

[29] Travis Stephen, The Well-Tempered Object, USA: MIT, 1991.

Bibliografía Web Consultada

[1] “ABCDatos Programas y Tutoriales en Castellano”, 2003.

http://www.abcdatos.com/tutoriales/programacion/delphi.html

[2] Alan Burns y Andy Wellings, “Real-Time Systems and Programming Languages”,

Addison-Wesley Iberoamericana España,, 2001.

http://www.cs.york.ac.uk/rts/RTSBookThirdEdition.html

[3] Chuang John, “A Musical Dice Game for Composing a Minuet”, Mozart's

Musikalisches Würfelspiel, 2002.

http://www.worldvillage.com/jchuang/Music/Mozart/mozart.cgi

[4] Losada Liste Rafael, “Composición y Combinación”, Música y Matemáticas.

http://www.anarkasis.com/pitagoras/100_composicion_combinacion

[5] Ramamurthy Bina, “Multiprocessor and Real-Time Scheduling”, 2000.

http://www.cs.buffalo.edu/faculty/bina/cse421/spring00/lec10/index.htm

[6] Sheepdog's Other Kennel, “Delphi and Pascal Programming Tutorials”.

http://ourworld.compuserve.com/homepages/TK_Boyd/Tut.htm

118

119

[7] Tiburcio Susana, “Música y Matemáticas”, Elementos, Ciencia y Cultura No. 44, Vol.

8, Diciembre-Febrero, 2002.

http://www.elementos.buap.mx/num44/htm/212.htm